Nature,the beauty of world

Nature, in the broadest sense, is equivalent to the natural world, physical universe, material world or material universe. "Nature" refers to the phenomena of the physical world, and also to life in general. Manufactured objects and human interaction generally are not considered part of nature unless qualified in ways such as "human nature" or "the whole of nature". Nature is generally distinguished from the supernatural. It ranges in scale from the subatomic to the galactic.

The word nature is derived from the Latin word natura, or "the course of things, natural character."[1] Natura was a Latin translation of the Greek word physis (φύσις), which originally related to the intrinsic characteristics that plants, animals, and other features of the world develop of their own accord.[2] This is shown in the first written use of the word φύσις, in connection with a plant.[3] The concept of nature as a whole, the physical universe, is one of several expansions of the original notion; it began with certain core applications of the word φύσις by pre-Socratic philosophers, and has steadily gained currency ever since. This usage was confirmed during the advent of modern scientific method in the last several centuries.[4][5]

Within the various uses of the word today, "nature" may refer to the general realm of various types of living plants and animals, and in some cases to the processes associated with inanimate objects–the way that particular types of things exist and change of their own accord, such as the weather and geology of the Earth, and the matter and energy of which all these things are composed. It is often taken to mean the "natural environment" or wilderness–wild animals, rocks, forest, beaches, and in general those things that have not been substantially altered by human intervention, or which persist despite human intervention. This more traditional concept of natural things which can still be found today implies a distinction between the natural and the artificial, with the latter being understood as that which has been brought into being by a human consciousness or a human mind.

About painting

Painting is the practice of applying paint, pigment, color or other medium[1] to a surface (support base). In art, the term describes both the act and the result, which is called a painting. Paintings may have for their support such surfaces as walls, paper, canvas, wood, glass, lacquer, clay or concrete. Paintings may be decorated with gold leaf, and some modern paintings incorporate other materials including sand, clay, and scraps of paper.

A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas; examples of this kind of painting range from artwork depicting mythological figures on pottery to Biblical scenes rendered on the interior walls and ceiling of The Sistine Chapel, to scenes from the life of Buddha or other scenes of eastern religious origin.Painting is the practice of applying paint, pigment, color or other medium[1] to a surface (support base). In art, the term describes both the act and the result, which is called a painting. Paintings may have for their support such surfaces as walls, paper, canvas, wood, glass, lacquer, clay or concrete. Paintings may be decorated with gold leaf, and some modern paintings incorporate other materials including sand, clay, and scraps of paper.

Painting is a mode of expression, and the forms are numerous. Drawing, composition or abstraction and other aesthetics may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, be loaded with narrative content, symbolism, emotion or be political in nature.A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas; examples of this kind of painting range from artwork depicting mythological figures on pottery to Biblical scenes rendered on the interior walls and ceiling of The Sistine Chapel, to scenes from the life of Buddha or other scenes of eastern religious origin.

A Painting Isn't Finished with the Last Brushstroke

Painting is "an exercise in continuous clarification: the painter clarifying his idea, but then making sure that that clarity was passed on to the beholder... "... for Rothko, the painting was never finished with the last brushstroke. That was merely the end of the beginning. The picture continued to form, grow -- 'expand and quicken' ... in the eye of the beholder. "... And that's also why Rothko was so fearful about letting his paintings go 'out into the world'."

If a painting isn't finished with what you think is the last brushstroke, as Rothko would have it, then how do you decide it's time to put down your brush? How do you judge what a viewer might see and "clarify"?I think you could drive yourself nuts trying to figure this out, because each person looking at a painting sees something different. Even you do, depending on your mood on a particular day and how long ago you did a painting. It comes back to needing to paint for yourself, to work on a piece until you're satisfied, to consider comments from others but not to be too easily swayed to change things. To said: "It's Done! (At least for today.)"